We will use a naming convention for your main folder which contains the names of both team members in the form name1_name2 (example: courtney_wade). Each team needs to create their own personal documentary folder inside the class folder that will contain a group of subfolders. Since you are working in teams, both members of the team need to be able to access your project so we have set up a class folder on the k: drive where you will store all your media files and the Premiere Elements project file. For example, we simply copied the Canopus Imaginate 2 plug-ins from Pro to Elements and were able to use Imaginate’s superb image-panning abilities within Elements.Organization of your electronic media materials is very important to your video production workflow. The effects can be readily extended because Elements has the same plug-in architecture as Pro. But you still get the full gamut of Premiere Pro 1.5’s automated correctional abilities, such as Shadow/Highlight.
Only chroma and alpha keying plus various types of matte system are included, with no luma keys. The range of filters and transitions available is a subset of Pro, but it’s a large one and those that are included aren’t cut down. But call up Advanced Effects mode and the same finely detailed configuration options as Premiere Pro are revealed, including all the motion control abilities and keyframing of individual parameters. The first merely lists effects as canned options, which can be dragged to clips on the timeline. For example, there are two Effects modes. However, it’s the fact that a large proportion of Premiere Pro’s power lies beneath the surface that makes Elements such a ground-breaking release. Some have criticised the way Adobe has bolted on assistance to Premiere to make Elements, leaving much of the complication intact underneath. The title applet is essentially the same Adobe Title Designer from Premiere Pro, but with a template system attached. The Capture and Titles modes bring forth separate applets. Buttons on the top right alter the layout context of the app, calling up the media bin during the Edit phase or the filters and transitions palette for Effects. But to help out the newcomer, there’s a context-sensitive ‘How to’ palette offering immediate tips on regularly used activities for the current mode. Anyone used to Premiere Pro will find it familiar.
Although Adobe has tidied up the interface considerably compared to its big brother, there’s still quite a lot to get to grips with. Elements isn’t for the absolute beginner, however.
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